ATLANTIC
US
Labels and Company Sleeves 1951-1990
Labels
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to 1083 - 1956 |
to 2134 -1962 |
to 2370 - 1966 |
Occasionally |
| Atlantic
was formed in 1947 by Ahmet Ertegun and Herb Abramson in New York City.
Atco
and Cotillion were subsidiary labels
and Clarion was a budget label.
From the beginning, Atlantic was different from other independent record companies. Their financier/dentist did not put pressure on them for immediate return on his investment, so Herb and Ahmet were free to make decisions based on their own good musical judgment. They did not cheat performers, as many of the other independent labels did. They gained a reputation for being honest, and that reputation as much as anything was the foundation for the success of the company. In 1967, the three owners of Atlantic; Ahmet, Jerry and Nesuhi were approached by Warner Seven Arts Corporation about selling Atlantic. Atlantic/Atco Records, along with Warner Brothers/Reprise Records, were to be operated as separate record companies under the ownership umbrella of the Warner-Seven Arts Corporation. Under Warner-Seven Arts, Atlantic and Warner-Reprise operated independently until Warner-Seven Arts itself was purchased by the Kinney Corporation (which later became Warner Communications) in 1969. Kinney was a conglomerate made up of parking lots, office cleaning companies, rental cars, magazine distribution and funeral parlors that was seeking to branch out into the entertainment business. |
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CP-MO-PL-SP ![]() |
LY ![]() |
75 Rockefeller Plaza ![]() |
75 Rockefeller Plaza ![]() |
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to 1974 |
to 1974 |
to 1975 |
to 1984 |
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to 1986 |
to . |
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1950s |
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Around 1960 |
Around 1960 |
1960's |
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to 1968 |
to 1973 |
to 1974 |
to 1984 |
| Around
1970, Atlantic used the original-like labels for their reissues
The Instant and La Pine below are both sides of the same record. |
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1841 Broadway |
1841 B'way |
1841 Broadway |
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to 1984 |
to 1990 |
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to 1973 |
to 1975 |
to 1984 |
| The
original 1951-1956 label with Fan logo The reissues used the same catalogue numbers as the originals. |
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Artist graphics Ruth Brown The Cardinals Joe Turner The Clovers Joe Morris |
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| Cut straight/notch | Glued left/right | |||||||||
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Artist graphics Ruth Brown The Cardinals Joe Turner The Clovers Joe Morris |
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| Cut straight/notch | Glued left/right | |||||||||
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| Cut straight/notch | Glued bottom/right | |||||||||
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| . |
Cut straight/notch | Glued left/right | ||||||||
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| Curved top | Inside glued | |||||||||
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| . |
Curved top | Inside glued | ||||||||
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| Slightly curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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Fan redisigned
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| Curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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| . |
Curved top | Glued left/right | ||||||||
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| Curved top | Glued left/right | |||||||||
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| Curved top | Glued left/right | |||||||||
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| Curved top | Inside glued | |||||||||
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| Curved top - hight top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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Front: Thick shadows
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| Curved top | Inside glued | |||||||||
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Front: Thin shadows
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| Curved top | Inside glued | |||||||||
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Front: Thin shadows
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| Curved top | Inside glued | |||||||||
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Front: Faint shadows
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| Curved top | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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75 Rockefeller Plaza |
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| Curved top | Glued left/right | |||||||||
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75 Rockefeller Plaza |
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| Curved top | Glued left/right | |||||||||
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75 Rockefeller Plaza |
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| Curved top | Glued left/right | |||||||||
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75 Rockefeller Plaza |
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| Cut straight | Inside glued | |||||||||
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75 Rockefeller Plaza |
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| Curved top | Glued left/right | |||||||||
| Reissues | ||||||||||
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| Curved top | Inside glued | |||||||||
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| Curved top - high | Inside glued | |||||||||
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| Curved top | Inside glued | |||||||||
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| Cut staight | Inside glued | |||||||||
| Sleeve for demo records | ||||||||||
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| Curved top | Inside glued | |||||||||